Untitled by foneticklee
There was a Frida Kahlo exhibit last time I went, and a Chuck Close exhibit the time before that. High quality exhibits along with a great permanent collection = must see destination.
over 4 years ago
Write an entry Entries about this placeUntitled by fonetickleeThere was a Frida Kahlo exhibit last time I went, and a Chuck Close exhibit the time before that. High quality exhibits along with a great permanent collection = must see destination. over 4 years agoYoko Ono- YES by Ursula HaighFlew down to SF for the day in 2002 to take in this exhibit. Post-Modern Vault by shivasmirrorMy ex-girlfriend contrasted the architecture of this site with that of the Whitney. Whereas with the Whitney, upon entering the building, the first impression is that of openess. For instance, a glass wall in the lobby gives you view of the sculpture garden. Needless to say, the resulting sense of freedom works in concert with an implied freedom of expression one would hope the institution is there to promote. With the SFMOMA, however, there are absolutely no visual cues as to the actual function of the building or what it contains. She pointed out that the catwalk beneath the apex of the building was a detail it had in common with prisons. I found that a bit of a stretch, but I did find it eery that there were “windows” in the photography gallery that were ceiling high but no more than a few inches wide that looked down on the lobby. This allowed you to view anyone entering the building while remaining concealed – exactly the type of construction used for arrow-slits and murder-holes in medeval fortresses. The implied function of the building (and let me stress that I commenting only on the psychology of the architecture and not the intent of the SFMOMA staff, curators, or donors) therefore is not to share art with the public, but rather to safeguard it from the public. Stand in the lobby and you’ll see what I mean. See all 10 entries |
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