indieguy

Just visited a few of the remaining sections left in the Potsdamer Platz, which is as close as anyone will ever get to “visiting it” again, and it is indeed a very strange sight indeed. Seeing it now it’s difficult to imagine it running through the entire city!

The other strange thing is the efforts being made to preserve the remaining parts of something that people spent so long trying to get rid off!

11th
Windum Earl
Fado Rock
Revolver
After Show Party @ The Grapevine
Free Transport From The Linnet To The Attic

16th Sunday Sesh Unplugged

18th SESH 3 : REBIRTH OF ‘ULL LAUNCH NIGHT**
Dirty Dreamers
No Nothings
The Johnsons
After Show Party @ The Grapevine
Free Transport From The Linnet To The Attic

23rd Sunday Sesh Unplugged

25th
City Ghosts
Mr Beasley
2nd Support TBC
After Show Party @ The Grapevine
Free Transport From The Linnet To The Attic

30th Sunday Sesh Unplugged

May

2nd
Blue Slide Circle
Cherry Cobb Cartel
The Ivy sins
After Show Party @ The Grapevine
Free Transport From The Linnet To The Attic

7th Sunday Sesh Unplugged

9th
The Bonnitts
The Shine
Mr Mojo
After Show Party @ The Grapevine
Free Transport From The Linnet To The Attic

14th Sunday Sesh Unplugged

16th
The Chase
Red Nite Strip
2nd Support TBC
After Show Party @ The Grapevine
Free Transport From The Linnet To The Attic

21st Sunday Sesh Unplugged

23rd
Shindigg
Red Line To Exit
2nd Support TBC
After Show Party @ The Grapevine
Free Transport From The Linnet To The Attic

28th Sunday Sesh Unplugged

30th
Oracle
Afterglow
2nd Support TBC
After Show Party @ The Grapevine
Free Transport From The Linnet To The Attic

59 Violets-Prime Numbers

It’s in the Linnet and Lark a few hours before the evenings Sesh is about to start, that I meet the 59 Violets gathered around a battered tatty brown table in what is quickly becoming the cities new midweek music Mecca. The nights football is blaring away in the background (Arsenal got thrashed) while Sesh DJ Mark mills about around the venue setting up equipment and pilling up CD’s for the evenings bands. The tape is rolling and the interview kicks into full swing with Guitarist Digsy and Andy the drummer leading the proceedings and being the most vocal members of the group. The band are relaxed and jovial, taking it all in their stride.Suddenly Pedgie from the now disbanded Raywells burts into the room and starts a conversation that cannot be repeated on the advice of our lawyers, and the Mexican government. Needless to say the ex-Raywell gets off lightly when five minutes later it turns out that the tape recorder isn’t actually doing what it’s supposed to be doing, i.e. recording. Guitarist Digsy relaxes noticeably and sighs in relief “I was a little worried there, my mums probably going to read this” he jokes “I suppose this gives us a little bit more time to think up some proper answers” By the time I get back with fresh batteries the Violets have disappeared leaving a trail of empty beer glasses and overflowing ashtrays in there wake and I start to worry that perhaps the band has got scared of all the career destroying headlines that could result from a bad interview, and legged it. Instead there in the capable hands of Phil Rhodes who has taken the opportunity to snap a few quick shots of them among the bricks and rumble of the derelict building next door with the band stood against the back drop of boarded up windows and a crumbling bomb shelter. Phil’s ability to sniff out derelict land is uncanny as Andy the drummer points out “Anyone who reads Sandman probably thinks Hulls derelict and war torn!”

Not a totally inappropriate image for a band who’s formation coincided with the attack on the World Trade Centre “we got together on September 11th with all the stuff going on in America which was slightly surreal” The 59 Violets came about in the autumn of 2001 after a year of discussion between Digsy and Andy who had always discussed getting together and forming a band, which finally came about when Digsy moved back to the region “I moved back from living down south and I’d always bumped into Andy and talked about getting a band together. Next to join Andy and Digsy was Chris on guitars which Andy jokes “we couldn’t get rid of him!” and finally Bill providing bass, brining together the greatest band the likes of Barton-on-Humber has ever seen. Which is where I have to reveal the dark and unspeakable truth that 59 Violets aren’t a born and bred Hull band in terms of location but after constant gigging, sometimes 4 or more times a month it’s safe to say that there as close to being a Hull band as makes any difference. It’s safe to say that they’ve escape from Barton for the bright lights of Hull. Hailing from a different city gives the band a unique perspective of the scene here in Hull and they’re pleased to be slightly out of step with the rest of the scene as Chris is quick to point out “It’s nice to be a part of it but at the same time we still have a kind of outsiders view of the Hull scene and we don’t get caught in any of the arguments or rivalries” However, even though the 59 Violets have managed to escape any rivalry and arguments that might happen with so many bands playing so closely in the same city and living out of each others pockets, they’ve also seen the benefits of it too. Being helped by a supportive group of bands and DJ’s keen to help each other out for the love of music “We’ve got a lot of gigs here through other bands and we’ve helped get them gigs in Barton” comments Digsy “We owe a lot to Mark (Sesh DJ) who really helped us out a lot in the early days by getting us gigs, and people like Alan Raw who first played our stuff on the radio” at that moment as if to emphasise the point Jon from Turismo walks in to collect the Violets empties “We also like Turismo” adds Andy loudly while he still within earshot. The band have even had the honour of performing a live set on Raw Talent which was recorded for a CD
“It’s like the album only played live and faster, we owe a lot to people like Alan Raw and Jim Caulson for playing us on the radio” Digsy nods and adds “There was a time about ten years ago when it was the hardest thing to get your music heard on the radio and now all that’s changed”

Despite increasingly been mentioned a number of times in the national press courtesy of the Paddington’s adventures in London there still seems to be a stigma attached to admitting your from the same place as the Beautiful South, a subject that Digsy is keen to talk about “There’s sometimes a weird almost apologetic feeling to saying where you’re from, like a collective inferiority complex. The upside is that the geographical isolation kind of results in bands not following fashions or trends. I reckon the area is one of the most independently-minded in the whole country though, and is reflected in people’s characters and attitudes whether they’re in bands or not. On paper at least this region is the perfect breeding ground for world class rock and roll, cheap rents and outsider status. It would be nice to think that in a few years Hull may be mentioned in the same breath as Seattle or Detroit. It Sounds daft at the moment but stranger things have happened!”
“I’ve never known it so good” offers Chris. The band have just finished there debut album “Prime Numbers” an album of ballsy, bass lovin, beer drikin, crunchy guitar riffin all out garage rock songs from the frantic album opener “Yeah Yeah Yeah” with it’s chorus of “When I get the feeling/ When I get the feeling/ and I don’t hear you say” to the dirty bass driven “dirty water”. Just when you think you’ve got the album pegged it throws up another surprise “A lot of reviewers cant put us in a category because we have such a great variety in out music” remarks Andy “We don’t like teeny music, there’s too many teeny bands out there, we like a lot of oomph! Turn up the bass” It’s the great variety that makes “Prime Numbers” so dammn good with the band being compared to everyone from Oasis and the Stone Roses, golden oldies like The Who and Led Zeppelin to a frankly insulting comparison to the Stereophonics (dull stadium rockers these guys aint) . So what has the band tried to accomplish in the lyrics on the album?
“We tend to try and write songs about a personal or social injustice, which makes us sound really pretentious but I think that most good songs have an element of struggle and anger to them” contributes Digsy “I hope people feel some empathy from them”

The 59 violets are no strangers to hitting the road and gigging. In the last year or so they’ve gigged in Hull at least a hand full of times every month. There first gig in Hull was actually at the Linnet and Lark with there defining moment being last years Sweet and Sour gig supporting Kill Bill band the 5678’s as Andy describes it
“The best gig we did was probably supporting the 5678s at the Welly last year, there was a huge crowd, a great atmosphere and they really seemed to get it” after hobnobbing with Japans finest the band have since scored themselves slots supporting the likes of Leicester band Kasabian in leeds when band approached the 59 Violets boys and inquired as to whether or not they might have any illegal mind altering substances about there persons that they could have, to which the band replied no. In so many words. “Needless to say we haven’t supported them since” which is Kasabian’s loss believe me. It hasn’t all been meeting famous bands and denying them drugs though, the early days saw them with a lot of empty rooms and small crowds, Andy Laughs “There was one at the Heritage, there must have been six people there. Including the bar staff.” Chris talks about how it’s essential for bands to keep on practising and suprising the crowd and the dangers of becoming complacent or believing you own hype
“There was a point towards the end of last year where we were getting a bit mundane and complacent, ya know?” Explains Chris “and it came out in a review. Everything that was said was fair and we just needed that kick up the arse. We worked on new material and put in some old songs we didn’t play much any more and it really helped” Digsy agrees with the sentiment “I think criticism or a bad review is essential for all bands, otherwise if everyone’s just telling you how good you are you start to believe it and then disappear up your own arse”
“It’s like that saying” adds Andy “Opinions are like arseholes, everybody’s got one”

Towards the end of the interview the conversation turns to what’s going to happen now that the band has finished the album with Chris reflecting “It’s like a closing chapter, you work at the songs and now there finished you’re excited about writing new ones”
“My favourate song is always the one we haven’t written” adds Andy thoughtfully “We have two or three new songs in the pipeline and whichever we finish first will be my favourate” Digsy
“I’d like to travel across a body of water and play” says Digsy
“But we do that every time we come to Hull” eager to point out his band mates mistake
“Okay, I’d like to cross an ocean and play, somewhere abroad”
Finally does the band have any advice for all those bands in waiting?
“Don’t do it for the girls or the money, there isn’t any!”

Jason Karlson

One man and his bog-Twenty years on the Toilet Tour, The History of the Adelphi

Doesn’t it make your blood boil when you’re stood around in Waterstones for hours and hours searching for those university texts? You know, the ones that have been out of print for the best part of forever and then force you to re-mortgage your house to pay for them once you do eventually track them down? What you should really do is jack your course in (telling the lecturers where to shove those books ought to suffice), form that band you’ve always dreamed off and spend £15 on this book instead.

What it is, is the old, old story of a man who quits the drudgery of his 9-5 job, sets up a music venue and becomes one of the most legendary figures of the toilet tour circuit. Okay so maybe that’s not the old story but you get the picture. Following just what happened to Cause Mr Jackon to be in those several lifetimes of debt he jokes about. From it’s formative years in the 80’s, through to the first decline and renovation in ’95, via the Adelphi’s legendary latrines. If you ask Paul if he thinks he done a lot to help the local music scene he answers “yes”, coming from anyone else it would sound big headed but in this case it’s undeniably the truth and this book stands not just as a history but to mark down in stone just what the venue has achieved through all the years of struggle and hardship now that it’s future is once again uncertain due to some appallingly mismanaged government regulations made by those who have no idea what is going on at the grass roots level.

What you also have is a visually stunning and often hilarious read. The pages are filled with photos of bands and important people from the Adelphi’s past, a fresh-faced Jacko standing on the entrance roof shortly after buying the venue in 1984 and anecdotes of his adventures with the original Sunday night crowd. Giving a unique insight into promotion of the Adelphi are the countless re-produced hand drawn flyers right from 1984 advertising the club as having pool and a refreshing lack of bingo, right through to the flyers we’ve all grown and loved having spent many an hour staring at them intently trying to decipher Paul’s absurdly small hand writing. These give an exclusive look at some of the bands that went onto mainstream fame placed alongside the Hull bands on the simple flyers. So, say a big thanks to Paul Jackson and those involved with the Adelphi over the years and hope that in another 20 years time we’ll all get to read One man and his Bog 2,40 years on the toilet circuit.

Jason Karlson

The only place in the world probably where you can swim and relax until 2 in the morning and STILL see people entering when you leave! very strange and worth a visit for sure!